"Welcome to our theme park," says Phish guitarist Trey Anastasio with a
giant grin as he jumps behind the wheel of a golf cart. He guns the engine
and bolts from behind the stage, past a huge Ferris wheel and onto the
concert field where, the following day, he and his band mates --drummer
Jon Fishman, bassist Mike Gordon and keyboardist Page McConnell --will
play the first of seven sets at their annual two-day event, this year
dubbed Lemonwheel.
In an era when superstar acts like U2 can barely fill stadiums inurban
markets, this past August, over 60,000 Phish fans willingly traveled long
distances to a decommissioned Air Force base in bum-fuck Limestone, Maine,
to pay seventy-five dollars to see the show and camp out for theweekend.
But this is no anomaly.
For the last two years, Phish have been one of the biggest draws onthe
concert circuit; 1997's summer extravaganza, the Great Went -- whichwas
held at the same site -- also drew more than 60,000 people, more thanany
other single-band concert that year.
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